Leanne Cardill
Dance Artist
Bibliography:
Albright, A.C., and Gere, D. (2003) TAKEN BY SURPRISE: A Dance Improvisation Reader, Middletown: Wesleyan University Press.
Aposhyan, S (1999) NATURALL INTELLIGENCE: BODY-MIND INTEGRATION AND HUMAN DEVELOPMENT. Williams & Wilkins: Maryland.
Banes & Lepecki (2007) THE SENSES IN PERFORMING. Oxon, Routledge.
Buckwalter, M. (2010) COMPOSING WHILE DANCING. The University of Wisconsin Press: USA
Burrows, J (2010) A CHOREOGRAPHER’S HANDBOOK. Routledge:Oxon.
Demasio, A. (1997) SELF COMES TO MIND: Constructing the Conscious Brain. London
Demasio, A. (2000)THE FEELING OF WHAT HAPPENS: body, emotion and the making of consciousness. London
Diehl,l & Lampert, F (eds) (2011) DANCE TECHNIQUES 2010, Tanzplan: Germany.
Durning, J & Waterhouse, L. (2014) Out Score/ In Score in CONTACT
QUARTERLY. 39.1, Winter/Spring. Page 24-29.
Duck, K (no date) INTERVIEW: PROXIMITY. (Accessed 12.01.14) www.katieduck.com
Lerman, L (2003) CRITICAL RESPONSE PROCESS. Dance Exchange.
Nimkulrat (2007) The role of documentation in practice-led research in THE JOURNAL OF RESEARCH PRACTICE. Vol3:Issue1
Olsen, A (2004) BODIE STORIES: A GUIDE TO EXPERIENTIAL ANATOMY. University Press of new England: Hanover & London
Rethorst, S (2013) A CHOREOGRAPHIC MIND: AUTOBODYGRAPHICAL WRITINGS. Theatre Academy Helsinki: Kenisis 2.
Tufnell, M. & Crickmay, C. (1990) BODY SPACE IMAGE: Notes Towards Improvisation and Performance, London: Virago Press.
Williamson (2003) The unconscious performer in George (ed) CUT, LIES & VIDEOTAPE: exposing performance. London: Tate Publishing.
Somatic sensibilities: exploring the dialect body in dance: JOURNAL OF DANCE AND SOMATIC PRACTICES. Nov’12.